This page is from the site www.singingpractice.co.uk where you can find many more pieces to help you with your choir practice.
The files accessed from this page contain the accompaniment and vocal parts synthesised on the Roland D20, or on an AWE32 computer sound card. The quality of the result however will depend on the quality of your own sound card and sound system on your computer. The accompaniment is spread evenly across both channels, but the parts are arranged on either the left stereo channel, or, in the case of your part, on the right stereo channel. Thus if you set your stereo balance to the centre you will hear a reasonable balance of all parts. However if you set the balance to the right, you should hear your part dominating. Conversely, if you set the balance to the left, your part should be almost inaudible (for confident singers, who probably don't need this help anyway!)
If you are using stereo headphones the effect can be achieved by offsetting the relevant earpiece so you hear less or no sound from it.
Please note that this is strictly for practice, and you should not expect a particularly pleasant sound, and I am afraid no dynamics.
Sometimes there are solo parts alongside the choral parts. In this case they will always be heard on both channels.
Sometimes before unaccompanied pieces, or pieces starting with no piano intro, to strike the rhythm for the singer, two extra bars are inserted at the beginning. The first bar contains the initial note of the part on each beat of the bar, and the second bar is empty.
Find your voice in the table alongside the piece of music you wish to hear or load down.To hear the midi file played, just click on it. Depending on your browser settings the file may play at once with QuickTime, or with MediaPlayer. Or you may get a pop-up which will offer you the option to "Open" the file, or "Save" it with some warnings about safety. If you only wish to save the file without playing it, its better to right-click and follow the drop-down menu to the "Save" option. In either case, you will be asked to choose where on your computer to place it.
The chorales have mostly been omitted, as I believe most choirs will not need help with what are essentially Hymn tunes.
| Title of Piece | Composer | Versions for each part | |||||||||||
| No 1. The Prologue (Fade in 3 bars before chorus) | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| No 5. Not Upon the Feast ... (Fade in 3 bars before chorus) | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| No 7. To What Purpose ... (Fade in 4 bars before chorus) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 14. Where wilt Thou ... (Start after recitative 3 bars) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 15. And He Said Go Ye ... (Fade in 4 bars before chorus) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 25. O Grief that Bows ... (Fade out 2 bars after chorus ends.) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 26. I Would Beside My Lord ... (Fade in 1 bar after solo starts) (Fade out 2 bars after chorus ends.) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 33. Behold My Saviour Now Is Taken ...
(Fade in 5 bars before chorus II starts) | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| No 35. O Man thy grievous sin bemoan ...
(Fade in 4 bars before chorus starts) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| NOTES: |
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The chorales have mostly been omitted, as I believe most choirs will not need help with what are essentially Hymn tunes.
| Title of Piece | Composer | Versions for each part | |||||||||||
| No 36. Ah! now is my Saviour gone ...
(Fade in 5 bars before chorus starts) (Fade out 5 bars after chorus ends) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 42. And the high priest answered... (start 6 bars before chorus, then followed by -) No 43. Then did they spit ... | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| No 45. Now Peter was sitting without ... (Start 3 bars before chorus) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 49. Now when the morning came ...
(Start 3 bars before chorus) | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| No 54. Now at that feast the governor ... (Fade in 6 bars before chorus starts) | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| No 59. But they cried out the more ... --- When Pilate therefore saw ... | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 62. Then the soldiers of the Governor ... (Fade in 2 bars before chorus starts) | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| No 67. And when they came unto Golgotha ... (Fade in 4 bars before chorus starts) | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| No 70. See ye - See the Saviours's hands ... (Fade in 4 bars before chorus starts, fade out at bar 26, in again at bar 35, out at bar 45) No 71. Now from the sixth hour ... (Fade in 4 bars before chorus) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 73. And behold - the veil of the temple ...
(Fade in 3 bars before chorus, fade out 3 bars after end) | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 76. And Joseph took the body ...
(Fade in 5 bars before chorus starts) | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| No 77. And now the Lord is laid to rest ... | J.S.Bach | Sop | Alt | Ten | Bas | ||||||||
| No 78. In tears of grief ... | J.S.Bach | Sop 1 | Alt 1 | Ten 1 | Bas 1 | Sop 2 | Alt 2 | Ten 2 | Bas 2 | ||||
| NOTES: |
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